Miguel kaleidoscope dream album playlist

In the wonderfully hazy вЂњDo You вЂ¦вЂќ, Miguel promises вЂњIвЂ™m gonna do you like drugs tonight.вЂќ The intention behind вЂњHow Many Drinks?вЂќ is pretty much summed up in its title - вЂњHow many drinks will it take you to leave with me?вЂќ ItвЂ™s in these tracks that comparisons to Frank OceanвЂ™s Channel Orange (another genre-bending classic in the making) will no doubt be raised. The lyrical content of Kaleidoscope Dream could be described as confessional, but most of the tracks seem to fall under the вЂњfrankly honestвЂќ as opposed to вЂњstarkly confessionalвЂќ school of writing. If the opening track drew comparisons to Marvin Gaye, вЂњUse MeвЂ™sвЂќ closest comparison would be BjГ¶rkвЂ™s вЂњArmy of MeвЂќ And like BjГ¶rk, Miguel vocals and lyrics are able to convey a warm humaneness while being surrounded by musical gadgetry. The third track finds Miguel trying to stretch R&BвЂ™s boundaries by using an almost industrial sounding mix of guitar and percussion. The major curveball Miguel throws happens toward the end of the track when the Zombies вЂњTime of the SeasonвЂќ gets a 21st century reworking.ДЄmazingly, all of this happens within the first 10 minutes of Kaleidoscope Dream. Accompanied by a slithering snare and subwoofer-testing bass, the track shifts from traditional R&B to sci-fi nodding hip-hop in such a fluid style that the change is barely noticeable. The opening track вЂњAdornвЂќ casts an unmistakeable nod to Marvin GayeвЂ™s вЂњSexual HealingвЂќ, complete with a minimal keyboard arrangement and a heartfelt plea to вЂњlet my love adorn you.вЂќ And like a great leadoff track for an album, it seamlessly leads itself into the more futuristic вЂњDonвЂ™t Look BackвЂќ. Still, even with a lack of proper ad resources, All I Want Is You found an audience and it gave him the artistic and commercial capital to make an immensely rewarding follow-up. Instead of gaining fame via YouTube or via a high-profile cameo on a track, Miguel paid his dues as an unsigned act before signing onto Jive Records вЂ“ only to have his debut album languish for promotional support while that label disintegrated. Just as the RCA label seems like a throwback, MiguelвЂ™s toils in the music reflect a more traditional trajectory of music success. But there are just enough moments in Kaleidoscope Dream that put it safely in the here and now. MiguelвЂ™s raspy R&B croon, his homages to past music greats, and a strong adherence to the вЂњfour minutes or less ruleвЂќ for pop music would make Kaleidoscope Dream feel at home in any decade since the вЂ™60s. But in the case of MiguelвЂ™s Kaleidoscope Dream, the ancient stamp of RCA Records is indicative of the 43 minutes awaiting a listener. ItвЂ™s no wonder this breakthrough LP led to sonic trysts with artists as wide-ranging as Kendrick Lamar, the Chemical Brothers, and BeyoncГ©.Usually, the record label is one of the least interesting nuggets of information on the back of an album. Whether heвЂ™s likening coitus to ballet (вЂњArch & PointвЂќ) or vamping with Alicia Keys over a tumbling drum loop (вЂњWhereвЂ™s the Fun in ForeverвЂќ), Miguel proves himself a thrillingly unpredictable host. And then comes вЂњUse Me,вЂќ where, over a plush blanket of grinding guitar, he cops to being nervous in bed. The next song, вЂњDonвЂ™t Look Back,вЂќ lays shuffling вЂ™60s pop over throbbing electro-house as Miguel warns a partner to run before the moon turns him into a womanizing beast. But Kaleidoscope Dream is not that album-and itвЂ™s better for it. To that last point, thereвЂ™s вЂњAdorn,вЂќ a tribute to wholehearted love that evokes Marvin GayeвЂ™s вЂњSexual HealingвЂќ and shows just how sweet a Miguel album of simple, throwback R&B would be. All of which tracks for a guy who grew up idolizing artsy types like Prince, Bowie, and Hendrix, but whose voice happens to sound like crushed velvet. Though just as sex-obsessed as the smooth lovermen who came before him, Miguel here projects a far more fractured and colorful view of romance tinted by deep self-reflection, hallucinogenic augmentation, and spiritual yearning. As a result, his second album not only sounded utterly singular-a swirling, moody mix of hip-hop, rock, and psychedelic soul-but it also placed the Southern Californian singer in a vanguard of new artists redefining the idea of the male R&B star (see also Frank Ocean, the Weeknd). With fizzled record deals and forced image makeovers in his past, a frustrated Miguel Jontel Pimentel took control of his career and creativity on Kaleidoscope Dream.

Miguel kaleidoscope dream album playlist